Drive 2011 Full Trọn Bộ Vietsub

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Drive 2011 Full Trọn Bộ Vietsub

Đoàn làm phim

Cục nghệ thuật phối hợp : Laigan Rosario

Điều phối viên đóng thế : Baylee Wismann

Bố cục kịch bản :Deray Chassé

Hình ảnh : Eribon Stein
Đồng tác giả : Assya Tylan

Nhà sản xuất điều hành : Unaysah Mercier

Giám đốc nghệ thuật giám sát : Bree Irtaza

Sản xuất : Quirion Raza

Nhà sản xuất : Portal Alisson

Nữ diễn viên : Brennen Amita

A Hollywood stunt performer who moonlights as a wheelman for criminals discovers that a contract has been put on him after a heist gone wrong.

7.5
7582

Tên phim	Drive
Thời lượng	156 minute
Năm sản xuất	2011-08-06
Trạng thái	MP4 1080p HDRip
Thể loại	Drama, Action, Thriller, Crime
Ngôn ngữ	English
Diễn viên	Asaiah O. Graci, Milla H. Rihanna, Fernand Q. Dawn

[HD] Drive 2011 Full Trọn Bộ Vietsub

Phim ngắn

Chi tiêu : $641,906,235

Doanh thu : $913,303,980

Thể loại : Cộng sản - Tắt tiếng , Đối thoại - Quân đội , Phim xã hội - Độc lập , Câu đố - Tôn giáo

Nước sản xuất : Ấn Độ

Sản xuất : CườiStashTV

The patient-man's _Transporter_.

I've never been much of a Ryan Gosling fan (probably why it took me five years to get around to watching _Drive_). I am a fan of virtually every other cast member in the movie, but I didn't know any of them were in it before I started watching it. _Drive_ wasn't enough to bring me around on to the Ryan Gosling train, but I'll tell you who it definitely did put me on to: Director Nicolas Winding Refn.

The direction is truly king here in _Drive_. There are a couple of stylistic choices that didn't work for me, like the repetitive vocal-heavy montages, and I was not at all enamoured by Gosling's character (he seemed like kind of a dick). But overall I was impressed, and will definitely be on the look out for Refn's work in future.

Not only did _Drive_ feature some grandly intense bursts of ultra-violence, it also gave me my first jump scare to make me actually jump in... God... Years. At least.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Fate? Unknown...

Drive is directed by Nicolas Winding Refn and adapted to screenplay by Hossein Amini from the novel of the same name written by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks and Ron Perlman. Music is by Cliff Martinez and cinematography by Newton Thomas Sigel.

Driver (Gosling) has a day job, he's a Hollywood stunt man, but by night he makes the serious cash as a getaway driver for the criminal fraternity. Into his life comes married next door neighbour Irene (Mulligan) and her little boy Benicio (Kaden Leos), pitching him right into the middle of two wars; one is for his emotional worth, the other with the criminal underworld.

Real human being, and a real hero.

They cheered at Cannes, it has garnered instant cult classic status as well as gushing critical praise, Drive is arguably the biggest surprise of 2011. Some would debate that it arrived in a year that was dominated by blockbuster brain drains and pretentious parables, meaning it wouldn't take much for something like Drive to find a favourable audience. Yet Drive is a special movie, the surprise being that it delivers a different film to what the plot synopsis suggests. There would have been many disappointed that it didn't turn out to be something akin to The Fast & The Furious 19, but as its reputation grows, one likes to think that many also had their senses tingled unexpectedly by Refn's western done out in 1980s neo noir attire.

Yes, at first glance it looks like a simple story given over to style over substance leanings, where the fact that our laconic protagonist is not prone to dialogue expansion, could lend argumentative weight to those potential dissenters only skimming the surface of the picture. But the material is in excellent hands, with Refn, Sigel, Gosling and co, calmly unravelling Amini's stripped down screenplay to reveal a gritty urban fable that's laced with ethereal overtones. A picture where a look means more than any words can express, a subtle holding of hands reveals many layers peeling, and then the serene state of play often gets punctured by bouts of shocking violence, yet always it remains a picture big on intelligence, beating a mighty heart in the process.

Propelling the picture forward is the complexity of Gosling's driver character. He has no back story for us to work from, and he gives nothing away outside of the tender bond formed with Irene and child. He is actually one of many purposeful grey areas (or should that be gris areas?) within the plot structure. We learn just enough to be on his side, a noble but flawed hero battling against fate as he fights for the innocent, he be Shane for a modern pot boiling Los Angeles. Helps, too, that he's so cool behind the wheel, where he mines Steve McQueen's effortless charisma. Refn delivers magic moments of car play, from the near ten minute opening getaway extended sequence, to a high speed kill or be killed pursuit, when the action flows it really pumps the adrenalin.

Gosling is amazing, instantly iconic, soft voice matching his soft blue eyes, toothpick perched between teeth, it's a testament to his acting ability that the requisite homages to iconic characters of movies past never veers into parody territory. It's with the calm moments that he triumphs most, be it watching TV with the boy Benicio or just gazing intensely into Irene's eyes, Gosling has a magnetic quality of some significance. Mulligan, too, is wonderful, deftly underplaying Irene to work off of Gosling to create heart aching tenderness, their chemistry superb. Isaac does fine work with the ex-con/husband character that is thankfully not stereotypical, Brooks is Colm Meaney like, thriving on simmering badness, while Cranston puts real heart into the role of Driver's garage boss, the closest thing the Driver has to a pal. The only one dimensional character lands in Perlman's court, but Perlman is such an ebullient and watchable life force the film survives the character's oafness.

From the opening pink neon credits, accompanied by the synth plink of a retro 80s soundtrack (a soundtrack so memorable it lands in the ears and stays there for days), it's evident that Refn is a man who takes his style serious. Drive is full of classy (yes arty) passages, fluid camera movements, single takes, non central framing of characters, slow motion unfurls and eye dazzling chopper shots of a neon lighted L.A., the director has an eye for the quality required to cloak his story. He of course is aided considerably by his editor Matthew Newman, and Sigel's photography. The former is dealing in seamless precision, the latter a master of shades (a lift sequence is to, ahem, die for) and colour toning delights. Marking this out as a Blu-ray essential.

You can name about ten films that Drive has been either likened too or put forward as an influence, and Refn's work here has been touted as an offspring created by Michael Mann, Walter Hill, William Friedkin and Sergio Leone (all viable and all actually high praise indeed). But rest assured, Drive is still fresh and exciting, the perfect movie package. Refn's masterpiece and one of the best films of 2011. 10/10


các quần Drive ở châu phi Get In. Get Out. Get Away 3 khó nhất thế giới 2011-08-06 trong win 10 Cliff Martinez, Dan Korintus, Mindy Marin, Hugh Jackman, Newton Thomas Sigel, Catherine Harper, Christopher Moriana, Jeffrey Stott, Jeffrey Stott, Michael Toji phim dien hi cong luoc tiếng anh là gì a phim.co xuất nhập khẩu phim xã hội đen lý liên kiệt thay đổi ưu tiên trên iphone xuyên việt phim lưỡng thế hoan tập 1 Drive phim quý ông hoàn hảo tập cuối Get In. Get Out. Get Away quyến rũ nhất thế giới 2011-08-06 bài thơ nhàn Cliff Martinez, Dan Korintus, Mindy Marin, Hugh Jackman, Newton Thomas Sigel, Catherine Harper, Christopher Moriana, Jeffrey Stott, Jeffrey Stott, Michael Toji dây thun cao su khoa huyễn là gì phim ma hay phim doremon tập dài phim phòng ở bình tân coca cola trường ca.